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GO TO 1929

1930

GO TO 1931

L'ÂGE D'OR (dir: Luis Buñuel, Not Rated) - Bart says, "Buñuel's first feature still manages to shock - though not to the extent that it did at the time of its release, when it caused angry demonstrations and was universally banned. The bulk of the film revolves around a young man and woman who are attracted to each other but are constantly kept from doing what comes natural by all the absurd institutions and bourgeois values that society has created to prevent just that. The savage satire (of The Church, in particular) for which Buñuel is famous is in full effect here, but it took him nearly 40 years to start making films as stream-of-consciousness as this one again and earn his reputation as Master of the Surreal."
THE BLUE ANGEL (dir: Josef von Sternberg, Not Rated) – Bart says, "Sternberg's first of eight team-ups with his muse Marlene Dietrich is also his best. It's got all the exotic, elaborate set designs and destructive, smoldering sexuality of the later films, but it doesn't get weighed down in over-the-top melodrama. It's the simple story of a respectable old teacher who becomes obsessed with a sexy showgirl who treats him cruelly. Abject humiliation never looked so good! Plus, it gets my vote as the first absolute masterpiece of the sound era."
ANIMAL CRACKERS (dir: Victor Heerman, Not Rated)
MOROCCO (dir: Josef von Sternberg, Not Rated)
UNDER THE ROOFS OF PARIS (dir: René Clair, Not Rated)
ALL QUIET ON THE WESTERN FRONT (dir: Lewis Milestone, Not Rated)
EARTH (dir: Aleksandr Dovzhenko, Not Rated)
HELL'S ANGELS (dir: Howard Hughes, Not Rated)
THE BLOOD OF A POET (dir: Jean Cocteau, Not Rated)
THE DIVORCEE (dir: Robert Z. Leonard, Not Rated)
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